Mesilla is Obsessed with Your Face |
Hi! I guess I should have something about me on here, for those who are interested. If there are any. I post stupid stuff that I like or whatever. Kinda like Doctor Who, Supernatural, Parks & Rec, all things Masterpiece Theater, all things British...ummm, I guess the simple conclusion to that is that I like TV. A LOT. Like I want to marry it, but it finds me too strange to make a committment. At least that's what it told me after a long and uncomfortable DTR conversation...shut up, I don't want to talk about it. Anyway, Tumblr makes me feel old sometimes because it seems everyone is a college student and I am...well, not. Oh, and sometimes I post uncomfortably sexualized pictures of men. Because I have no life. The End. |
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Notes(Source: havelogicwilltravel)
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(via robinhoodly)
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YAY!
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(Source: ekline)
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picplz_upload on Flickr.
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Notes I can’t picture anyone daydreaming about me. I can’t picture someone thinking about me when they’re laying in bed before they fall asleep. I can’t picture anyone telling their friends about me. I can’t picture anyone getting butterflies because I hugged them, or even just because I made eye contact with them. I can’t picture someone smiling because my name lit up their phone. I just can’t.(Source: honestliars, via starkspangledjohnlock)
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Michael Fassbender - GQ by Mario Testino, June 2012
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I just want to live here, kthanxby
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(Source: brodinsons, via skittlesinthere)
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NotesM-O family portraits from Andrew Stanton.
This is WAY too wonderful not to post here.
From the article:
“While the film was in production, Stanton’s team had a real life statue of the character and one day, on a whim, took him to Sears to get a bunch of family portraits taken. That was years ago and, since then, the photos have remained safely on Andrew Stanton’s iPhone. Nowhere else.”
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Sometimes it frustrates the crap out of me that so many people assume you can’t care about somebody of the opposite sex unless you’re expecting something romantic out of it. Why can’t you just appreciate people for who they are, not for what you may get from them?
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NotesThat scene was a really, really tough scene to film. They didn’t tell me they were going to do this but Phil told Jon to hold on to my hand and not let it go. And then he did and I really sort of lost it… and I will say that every single one of those tears was actually absolutely real.
— Elisabeth Moss, Inside Episode 511(Source: dreyfus, via rufustfirefly)
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Notes[Flash 9 is required to listen to audio.]116 playsThe Girl With Broken Wings (Acoustic) | Manchester Orchestra
